In this episode of Live @ Tainted Blue, electronic music producer and Azuli Records artist Biboulakis talks about his production work flow. For this project Biboulakis needs to record live piano parts. Recording Engineer Louie Follo is at hand to help capture the tonal characteristics of a restored Steinway & Sons baby grand piano. Learn about the microphones used during the session and how their placement can affect the end tone and character of the final recording. To listen to more of Biboulakis music visit:http://soundcloud.com/biboulakis Live @ Tainted Blue is an episodic web series documenting life in a state of the art recording studio in Times Square, New York City. The series features audio technology and music production quick tips from the Tainted Blue team, music performances as well as lifestyle and cultural segments that give you insight into the contemporary music industry community. Learn more about Tainted Blue Studioshttp://www.taintedblue.com/ What microphone choice and placement do you prefer when recording acoustic instruments?
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